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03-04-2005, 04:25 PM | #1 |
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A bit of FF6 fanart
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03-04-2005, 04:57 PM | #2 |
L0L and so on...
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Wow - I REALLY like how you draw fiures, nice, very nice ^^
yay for Terra |
03-04-2005, 05:07 PM | #3 |
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Figures? Yeah, I'm happy with the propotions here. Except for the neck. And the legs.
Thank you.
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03-06-2005, 07:47 AM | #4 |
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Another one:
And some explanation: I consider the backgrounds at least partly impressionistic; they aren't there to show scenery but to add to the mood. That's why they don't affect Terra's shading in the pics. Also I forgot. In the second one most notably, the dark cave with the light at the end of the tunnel is quite obvious symbolism. Note that her back is turned to the light. It's really the exact same scene from the game - even the dialogue is there - just from a closer perspective that shows the emotion. I think FF6 is like a book in that the player has to paint some things in her mind. Not the visuals, like in a book, but the emotions. And that's why I made these pics. If you care.
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03-06-2005, 08:15 AM | #5 |
Derrrrrrrrrrrrrp.
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Your drawing is unique. It looks childish (not in the bad way but as the artwork of a child) and yet more. It's cool. I like it.
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boop |
03-06-2005, 11:27 AM | #6 |
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Yeah, the combination of motoric dysfunction, impatience and lack of practice with the tablet make for childish art.
Thank you.
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03-06-2005, 07:04 PM | #7 |
L0L and so on...
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I like the long neck, it actually suits the way you draw - since the body in thin and graceful
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03-07-2005, 02:02 AM | #8 |
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Well, I based the body shape on Yoshitaka Amano's original drawings, and her neck is pretty long there. But I overdid it a little.
(The face and the hair's based on the ingame portrait by the way.)
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03-07-2005, 06:42 AM | #9 |
L0L and so on...
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Ah.... good old Amano-san
His drawings are so graceful and his line art... *drools* lines and lines and lines - I love them!! *is weird* |
03-08-2005, 03:31 AM | #10 |
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I really like the use of color. The colors are all well balanced and that brings the pictures to life even more.
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