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Unread 02-24-2010, 09:18 AM   #311
Amake
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Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something.
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My own research shows most humor is based on absurdity. See Incongruity-resolution theory.

But that's beside the point. I can't make sense of your complaints about VG Cats. It's based on shock value, yet it overworks its punch lines? It's cheap and unimaginative, but still packed with too much material?

Comics work best when overloading the reader with information, you know. Look at Watchmen for the extreme example. But it works on a smaller level here, making a strip that demands a minute or two to read and interpret it, but offers a lot in return. (Nine jokes are still more than one.) It's something quite unique to comics, and a part of why I like them. What the Rare Candy strip loses in initial impact, it more than makes up with lasting appeal and material for debates such as this one. The BITF strip could have been a five second gag in a Jay Leno monologue if he was a little nerdier, and worked just as well. Who's going to care about it ten years from now?

Yeah, it might have been funnier at first, depending on your preference, but we're not exactly talking about any busted ribs, are we? Be honest: Did anyone here even crack an audible giggle?

Last edited by Amake; 02-24-2010 at 09:22 AM.
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Unread 02-24-2010, 11:10 AM   #312
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I'm just saying that side-by-side, on their own merits (remove VG Cats' history for me because I'm not really an avid reader of their material) I feel the Brawl comic did a better job of poking fun at the "four moves per Pokemon" in-joke.

Also, historically, not only was VG Cats not the first people to try out that joke, if their little Pokemon spin-off comic Super Effective ever picks up some steam and starts updating more than once every month or so then they will most likely end up making the joke a second time.

Anyway, if you like the VG Cats version better (because of poop and funny faces) then that's cool. I just happen to like Brawl's take. I was just a little startled earlier when you seemed to be disregarding Brawl's because you couldn't visually cue on one of the more basic pokemon out there and one that is really notable for being the only pokemon of its time to display gender differences.
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Unread 02-24-2010, 02:09 PM   #313
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Originally Posted by Invisible Queen View Post
My own research shows most humor is based on absurdity.
That article pretty much agrees with my statement that humor is "going against preconceived notions". However, one should be careful with the word 'absurd'. Absurd may simply mean it goes against expectations, but it could also mean WHOAOAOA MONKEY CHEESE WEASEL GYM SHORT! The random. Which far more often than not falls extremely flat. It is best to stick with the more technical terms presented, especially since 'absurd humor' could be considered its own entity. It takes some serious skill to intentionally pull off absurd humor. This is why so many shows that try to emulate Monty Python's Flying Circus fall flat.
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But that's beside the point. I can't make sense of your complaints about VG Cats. It's based on shock value, yet it overworks its punch lines? It's cheap and unimaginative, but still packed with too much material?
These are not contradictions. They are not mutually exclusive concepts. You can try for shock, and yet essentially be screaming LOOK LOOK LOOK AN EDGY JOKE . And being cheap and unimaginative really has no bearing on how much cheap and unimaginative shit you can cram into a small space. These are simply signs of poor writing.
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Comics work best when overloading the reader with information, you know.
Incorrect. Comics work best when the author plays to his writing strengths. The same as with any work of fiction. Also, as a general rule, the more complicated and dense you make the material, the better your writing chops have to be, and you run a greater risk of messing up. Watchmen is a good example of a complex mystery done right, but with a little digging, I can turn up some comics with simple premises that are utterly sublime. In most cases, staying simple and focused is generally better, unless the author has some serious writing chops.
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(Nine jokes are still more than one.)
Not necessarily. If given a choice between one hilarious joke or nine moderately funny jokes, I'd prefer the one hilarious one. Quantity does not matter if they do not have the quality to back them up. And, more often than not, cramming more jokes in diminishes overall quality.
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It's something quite unique to comics, and a part of why I like them. What the Rare Candy strip loses in initial impact, it more than makes up with lasting appeal and material for debates such as this one.
The "lasting appeal" is highly, highly debatable. The artwork is unimpressive and lazy. The joke is simple, telegraphed in advance, and followed up with a LOL HE POOPED gag. That particular strip seems more a throw-away gag to fill in an update without resorting to filler. Honestly the Brawl comic doesn't have much lasting appeal as well, but it is still overall the better presented of the two.
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Be honest: Did anyone here even crack an audible giggle?
The Nidorina comic did get a chuckle out of me. And I assume that Dononmi laughed as well, or why would he post a comic that was mildly amusing to him?
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Last edited by Mike McC; 02-24-2010 at 02:11 PM.
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Unread 02-24-2010, 02:31 PM   #314
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Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something.
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I didn't mean to say comics automatically get better the more things you have in them, only that it's a superior art form for information overloads.

Otherwise, I'll just get back to you in 2020, and then we shall see where we stand.
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Unread 02-24-2010, 02:36 PM   #315
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I didn't mean to say comics automatically get better the more things you have in them, only that it's a superior art form for information overloads.
Once again, not necessarily. It all depends on how the author handles the situation, regardless of the media.
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Unread 02-24-2010, 03:08 PM   #316
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Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something. Amake broke the dial off at twelve but is probably at infinity or something.
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How would you do something like this in any other medium? That's not a rhetorical question, if you have some solution I'd be interested to hear.

But as far as I can figure you can't do it in prose without either interrupting the narrative or putting a lexicon at the end of the book. You can't do it in a movie without making the viewer rewind and freeze frame and stuff. You can't do it in a radio drama unless maybe you increase the play speed and let the audience slow it down to make it audible. (Boy that'd be weird.) You can't do it in a stage play cause frankly that'd be nuts.

Sidenote: While not presenting unhealthy amounts of information, this page from the same comic does some other funny things you'll probably only ever see in a comic.

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Unread 02-24-2010, 03:47 PM   #317
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Yes, comics have their own unique way of presenting information. So does every other form of media. To focus solely on the strengths of one is an insult to those who master the other forms.
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Unread 02-24-2010, 06:05 PM   #318
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And I assume that Dononmi laughed as well, or why would he post a comic that was mildly amusing to him?
Oh, man, you seriously don't want me to answer this one.
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Unread 02-24-2010, 07:51 PM   #319
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Oh, man, you seriously don't want me to answer this one.
Or what? I'll be proven incorrect in my assumption? It's not even as if my overall statement hinged upon you laughing at it.
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Unread 02-24-2010, 08:19 PM   #320
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I gotta side with IQ here. I liked the VG cats one better.

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The joke in BITF is the surprise of the punchline and the lack of expectation, and is therefore funnier.
Oh, okay. Thank god we had an authority here. I might have gone off liking the wrong thing without knowing which was objectively superior. Whew, dodged a bullet there.
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Awesome art be here.
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