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Unread 02-04-2017, 04:30 PM   #31
Sithdarth
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Join Date: Mar 2004
Location: Outside the M-brane look'n in
Posts: 5,403
Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier. Sithdarth is like Reed Richards, but prettier.
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Originally Posted by Solid Snake View Post
It's one thing in that kind of context to write in an unexpected twist that surprises, but creating a whale in a universe where the whale has no context to compare it to or understand it with and giving the audience no understanding of its powers whatsoever before the fight creates a situation where literally anything whatsoever can happen and the audience just has to roll with it, which kills dramatic tension for the opposite reason -- there's no tension because literally anything could happen and I'd just have to roll with it and say "Okay, that's how that works now."

In my opinion, a single source of uncertainty works -- maybe you don't quite understand how a Sith's single specific new power works that differentiates him from others you've seen before -- but you gotta have some baseline, some degree of comprehension or there's no reason whatsoever for me to invest myself in the conflict because I barely even know who or what the antagonist is.
This is basically the root source of our disagreement and it probably goes back to my education and job. I have a bachelor's in physics and am basically done with a doctorate in materials science (thesis writing is a pain). Just about any explanation of how a fictional world works at any level of detail is going to destroy my suspension of disbelief because I can usually find many inconsistencies. I prefer to form my own explanations based on what I observe because that's kinda what I was trained to do while learning to do science and any inconsistencies in the explanations I come up with are hidden from me by my brain. Also, exposition feels way too much like reading a scientific paper which I do for work and sometimes fun but not something I want to happen when I'm attempting to escape from reality for a bit.

Honestly, I usually don't even bother to come up with any explanations because again that's basically what I do at work. I consume fiction (that is not in interactive form) for the express purpose of not thinking critically because that is literally what I do all day and if I don't spend some time not doing it I'll burn out. I do still care about the motivations of the antagonist but explanations of how/why the abilities of the antagonist work are generally superfluous. Motivation is important but what the force is and how living things interact with it (midi-chlorians) is largely irrelevant to me unless it ties into someone's motivations directly.

I guess because I see all explanations as equally implausible asspulls it doesn't bother me by default when an explanation is skipped. Though it still can be done poorly.
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